Category Archives: performing

home/land at the albany park theater project

About 300 suitcases are stacked at either end of the stage. They come in different colors and finishes and there’s no telling what’s inside. I try to pick out my favorites, maybe the oversized mustard traveler or the boxy blue number, but singled out they’re not so impactful as piled high, all mixed in together.

The staging is unique at this Albany Park Theater Project production, but then so is everything about the vibrant company. Since 1997, the talented teens of this youth theater group have brought to life the stories that surround them in one of Chicago’s most ethnically diverse neighborhoods. The students of APTP research, write, and perform their own work in an effort to humanize difficult issues facing their communities such as discrimination or life on food stamps.

APTP’s current production Home/Land tackles the struggles of immigration-rights. The topic is timely and ever-present, but no pundit dispute of Alabama’s HB 56 law or news footage of an Arizona SB-1070 protest humanize the players in these political wrangling like the poignant performances of Home/Land. This play is a layered, living thing. A Mexican-born father is ripped from his family. A newlywed couple crosses the Rio Grande searching for a better start to their new life. A child joins the El Salvador guerrilla after his family is murdered. A Jordan-born student is refused work. The honesty in these performances is a testament to the dozens of interviews the students conducted and two years they spent creating this provocative and profound work.

Already extended far after its original run, Home/Land‘s final weekend of production is April 27-28. For a shot at long sold-out tickets, I’d recommend joining the wait list and arriving at the theater an hour before curtain. If you aren’t able to make it to the theater check out a clip below, as featured on PBS News Hour. I cannot wait to see what APTP does next, because its mission and the inexhaustible passion and talent of its members will stay with me long after Home/Land‘s curtains have closed.
http://www-tc.pbs.org/s3/pbs.videoportal-prod.cdn/media/swf/PBSPlayer.swf

Watch Albany Park Theatre Project’s ‘Home/Land’ on PBS. See more from PBS NewsHour.

[photo credit]

embark on a sick improv adventure in andersonville

 
The sickest adventures often begin in venturing up a steep stairwell to a sparse white room. Inhabiting a former art gallery, a blank canvas of sorts is tucked away in plain sight on Clark Street in Andersonville. Specializing in improv, Upstairs Gallery offers Chicago a refreshing new performance space – for free.

Founded by a group of improvisers who met while training at iO, Upstairs Gallery is an evolving endeavor in experimentation. Partners Alex Honnet and Walt Delaney began playing in the space in the fall of 2010 while it was a functioning art gallery and music recording studio. “We’d be doing a show and then get drowned out by a drum solo,” says Delaney. Just as their runs began to build momentum, the art gallery owners decided to close up shop. After discovering via Gchat they weren’t accepted to an established improv team, the guys knew they couldn’t lose the space and signed the Upstairs Gallery lease without even reading it.

In Chicago’s competitive comedy scene, Upstairs Gallery has proven an attractive venue for players of all experience since it started running full-time last May. With a small room, minimal tech extras, and lights that are always up, Upstairs Gallery’s setting strips away standard expectations in a landscape of established theaters. It’s A Room of One’s Own for performers from novice players without a home to seasoned standouts in need of a place they can take risks. “There’s no pressure, and that lends itself to a sense of experimentation,” says Honnet. “It’s a space where people can try interesting things and have fun.”
  

The price of admission to sit at the edge of this freewheeling performance enterprise? Free. With around seven shows or rehearsals taking place per week, there’s plenty of opportunity to enjoy complimentary LOLs. While money-making is not its main venture, Upstairs Gallery does accept donations and periodically fundraises in order to sponsor teams to be sent to comedy festivals.

On a Friday evening several weeks ago, Upstairs Gallery was packed with twenty-something attendees and an eager energy for Sick Adventure, the space’s signature monthly show. It seemed no one knew what to expect, but they knew it was going to be good. Improv teams of Vegetable Demon, That Uncle No One Likes, and Honor Student Breakfast brought it, along with sketch by Seth and Kellen. In the next room, a Bit Bizarre hawked $1 portrait drawing and ex-Juggalo handshakes to raise money for teams hoping to attend the North Carolina Comedy Arts Festival. After an underwhelming visit days before to a noteworthy improv establishment, Upstairs Gallery delivered the dropkick in the side I missed.
 
 

“The feedback from the audience is so visceral because you’re so close to crowd, they’re practically onstage,” asserts Honnet. “It’s like surfing; you’re riding the wave of their energy. Here, you know when the audience is responding because you feel it in your blood.”

In a city saturated with comedic enterprises, Andersonville is underrepresented saving the nearby Neo-Fururists. “Andersonville is such a distinct neighborhood, and the residents are excited to have us here,” says partner Caitlin Stephan. “People pop in all the time. They’re becoming more and more interested and we feel really supported by the community.”
 

If you’re ready to ride, Upstairs Gallery will guide with its passion for performance.  “People do bad scenes all the time, and usually you’re given the benefit of the doubt. But a great scene – people remember that,” says Delaney. “People will approach you about a scene you did in training or show years later and say they still remember it. And if you did that scene with someone you have a kind of kinship with them, you might not have anything else in common but that great moment together that made people happy.”

As for the darker side of comedic exploits, I asked Honnet for his worst pickup line. “Does your dad work for the Taliban?…because you da bomb.”

Check out Upstairs Gallery’s schedule on Tumblr or Facebook. For bookings, email upstairsgallerychicago@gmail.com.

Upstairs Gallery
5219 North Clark St.
Chicago, IL 60640

“this is chicago kid”

I had to go all the way to New York to see CHICAGO. The musical centering on corruption, sex, song, and crime in Jazz Age Chicago is one of my favorites, and I was thrilled to see it on Broadway.

With a music and dance-centric plot there was little to the onstage set aside from a chair, a fire escape ladder, and a full band. The cast conveyed the rich and playful story to scintillating perfection with their razzle dazzling performance and enticing ensambles.

Inspired by the cast’s ability to transport the audience to Chicago’s not-so-distant days of gangs, gin, and jazz with only a few props and the power of their performance, I attempted the same. Highlighting one Chicago neighborhood, I focused on storefronts in Lincoln Park, one of the old haunts of the North Side gang.

1. Anita Jerry Necklace – Sequin, $285; 2. Music Background Rubber Stamp – Paper Source, 14.95; 3. Lace and Satin Slip – Underthings, $84; 4. Patch NYC Solid Perfume – Art Effect, $24; 5. Mug Shots – Art Effect, $18; 6. Chicago Marble Coasters – Art Effect, $44; 7. Feather Tutu – Cynthia Rowley, $330; 8. Vintage 1920′s Compact – Millionaire Rejects, $125; 9. Tulle Garter Belt – Isabella, $30; The Biograph Theater – 2433 N. Lincoln Avenue

From vintage pieces to reproductions, I found incredible Old Chicago inspiration in Lincoln Park. For example, the compact above was one of several in the store which I was told were twirled around by dancing girls in the 1920′s.

1. Sequin Dress – BCBG, $; 2. Frankly Scarlet Powder Blush – MAC, $19.50; 3. Straw Fedora – BCBG, $38; 4. Seychelles Pot of Gold – Lori’s Shoes, $88; 5. Vintage Crystal Decanter Set – Stanley Galleries, $325; 6. Gold Earrings – The Green Goddess Boutique, $45; 7. Micro-Mesh Gloria-V Bodysuit- American Apparel, $44; 8. Jonathan Adler Pill Keychain – Art Effect, $19.50; 9. Men’s Dancing Shoe – American Apparel, $52; 2121 N. Clark Street

Luckily, you won’t have to go so far to see the Cell Block Tango live. CHICAGO the Musical will run June 7-12 at the Oriental Theater. I recommend you stash a flask in your garter and see what all that jazz is all about.

street scene: chicago turkish festival

Chicago Turkish Festival, Daley Plaza - Chicago, IL

There are a few days left to explore the 9th annual Chicago Turkish Festival at Daley Plaza. Stop by this FREE fest through May 25 to indulge in Turkish cuisine, music, dance, and handcrafts. Sip a Turkish coffee in the plaza and enjoy the arts of Istanbul without leaving the Windy City.

my four favorite things: haymarket pub & brewery

What’s on tap to love at the West Loop’s Haymarket Pub & Brewery?

Succulent Suds
The lauded Pete Crowley, a Rock Bottom Brewery veteran, is at the helm of the deliciousness going on in Haymarket’s brewery. We sample the bright and hoppy Speakerswagon Pilsner, the darker Mother Jones Trappist-style Dubbel, offering hints of nut and raisin, and the citrusy IPA cum Hunter S. Thompson homage, Fear. If mere exposure translated to expertise, I’d claim connoisseur. Instead, I offer my inexpert imbibing opinion – it’s really, really good. The Thompson companion beverage, Loathing, is due out soon, though I’m certain that won’t be my response when I return to try it along with the ten or so other home brews. Haymarket’s drafts are brewed on premises, behind glass so you can watch the magic unfold just as fast as you can drink it in.

Pizza Anarchy
“I can never go back to regular pizza,” my companion admits. “There are just too many incredible options in Chicago with unique toppings.” Enter pulled pork. The Riot is the pizza version of Haymarket’s signature sandwich. The spicy Italian sausage and giardinera balanced with mozzarella and the epiphany of pulled pork glazed with sweet BBQ is full of heat and flavor. Admittedly, we haven’t expanded our sampling of the menu, which includes house-cured bacon, but with a Riot like this on our hands we don’t have to.

Drinking & Writing Theater
While the pub’s front room is more West Loop formal, the rear room houses Haymarket’s “Drinking & Writing Theater.” Heaven, is that you? Imagine my excitement! I know I needn’t explain the symbiotic marriage of the activities to you, sympathetic readers; however, I can’t imagine Charles Bukowski lounging within its sleek wood-lined walls, although his poster hangs here. Freshly freed office workers and the casually cool hang in the gorgeous and maybe too-clean space. Despite the disappointment of one half-hearted bookshelf, the room serves its purpose well as I manage to get some writing done before the arrival of my friend, and definitely while drinking.

“Exploring the Connection between Creativity and Alcohol
This is the mission statement of, Drinking and Writing, the performance troupe behind the aforementioned theater. Pestering my waitress, I learn that the rear room of the brew pub is indeed a space for events and performances geared toward inspiration and inebriation. The group also performs on stage, hosts a radio program, and an annual festival, which I regrettably missed on May 7. I learn, “They have performed with the Neo-Futurists for years, and some of them are brewers here.” A toast to my potential new best friends!

Haymarket Pub & Brewery
737 W. Randolph St.
Chicago, IL 60661

[photo credit]

Story Week: Chicago Classics

“I am an American, Chicago born – Chicago that somber city – and go at things as I have taught myself, free-style, and I will make the record in my own way.” – Saul Bellow

Don De Grazia reads "Chicago Poem" by Lew Welch

Columbia College’s 15th annual Story Week Festival of Writers culminated in an event entitled Chicago Classics. Around 20 members of Chicago’s literary, academic, and media communities read a selection from the works of their favorite Chicago authors.

Quraysh Ali Lansana shares "when you have forgotten Sunday" by his mentor Gwendolyn Brooks

A packed house at Lincoln Hall enjoys the event, hosted by Chicago writer and radio personality, Rick Kogan. “You are all here because you love reading and writing, whether or not it makes you any money,” Kogan notes on the palpable kinship in the crowd. The chosen readings are animated by the authors’ personal reflections, and positive or contentious, an intimate portrait of Chicago is painted in their readings.

Jonathan Messinger reads from Stuart Dybeck's "We Didn't"

“This event is incredible because I have been reminded of so many Chicago authors I haven’t read in ages and am being introduced to many I have never encountered before,” Kogan exclaimed, stating my sentiment perfectly. I leave with a long list of so many authors to explore. From Chicago staples like Studs Terkel, Saul Bellow, and Nelson Algren to new finds like A.K. Ramanujan and Stuart Dybeck, my next book store trip will be weighty.

Catherine Halley shares "The Motive of the Magazine" by Poetry magazine founder Harriet Monroe

In an atypical bit of luck, I even win one of many prizes raffled off at the event, a subscription to Chicago-based Poetry magazine! I greatly look forward to seeing Chicago Classics become an annual Story Week event. Aside from discovering many incredible Chicago-authored works, the event affirms my feelings about the practice of writing, the local literary community, and although not Chicago born, the choice to throw my lot in with Chicago.

 

My Poetry magazine prizes and just desserts for the Story Week finale.

Columbia College Story Week Festival of Writers

I know it’s already mid-week, but we are approaching the good half. Why not make it even better with a FREE literary event lineup?

For the 15th year, Columbia College Chicago presents its Story Week Festival of Writers. This year’s theme, “Class Acts,” centers on class issues’ role in creative works and the changing publishing environment. You can catch readings, performances, discussions, and signings through Friday, March 18.

Although disappointed at missing Joe Meno’s Monday afternoon appearance and tonight’s Literary Rock & Roll reading at Metro, I am gearing up for Friday’s Chicago Classics finale. Join me at Lincoln Hall to hear a host of Chicago literati reading from their favorite Chicago-authored works. For the tweet-savvy among you, Dan Sinker, the recently self-outed author of @MayorEmanuel‘s tweets contributes to Wednesday and Thursday panel discussions. Oh, did I mention Sinker is also  a longtime Chicago author, publisher, and Columbia journalism professor?

Check the full event schedule and get yourself some Story Week fo FREE.

my four favorite things: spoiler alert at second city

Allow me to offer an exploring snapshot of my four favorite things about
The Second City’s mainstage show “Spoiler Alert: Everybody Dies.”

Spoiler Alerted, Boredom Averted
The characters and audience face the same limited life span so the cast wastes no time in reliving the spectacle of ourselves.  Office politics, reality TV watching, uncomfortable cocktail conversation, and sports spectatorship are all viewed differently when we expect death is knocking.

The Cast
With each new sketch, I have a harder time choosing a favorite cast member, almost like when I watch Arrested Development.  Don’t get too excited this is no AD, but a balance of overt physical comedy, with some smart subtlety, and a little booze ensures this cast of definite characters entertains.

Post-Show Improv
From Sam Richardson’s sassy stylist shtick to an improv interpretation of the Chicago mayoral candidates, the audience-prompted portion produced some of the evening’s most tear-inducing laughs.

Sunday Night LOLs
Maybe more entertaining than church, this show keeps you laughing through the onset of any case of the Mondays, whether or not induced by vodka pitchers available (pitchers!).  New rule = I’m only attending Second City on Sundays.

photo credit [1, 2, 3, 4]

Chicago Humanities Festival

Greetings fellow explorers!  Anyone in need of autumn entertainment should be advised that the Chicago Humanities Festival kicks off this Sunday in Hyde Park!  Running through November 14, the festival assembles scholars, artists, performers, and policy makers in a multitude of areas to explore the humanities.  A variety of discussion, lecture, and performance mediums are presented centering on a universal topic – this year it is The Body.

The festival was founded in 1989 as a one-day event and now spans several weeks.  I attended a few performances last year and was absolutely delighted.  Maybe it’s the humanities-nerd in me, but this year’s selection of events throughout the city is enthralling.  I encourage you to attend a few, and respond with your impressions!

A few of my top 2010 CHF events:
Corpus: The Surprising Kinship between Books and Bodies
Best European Fiction 2010
Jennifer Finney Boylan: A Life in Two Genders
Jane Austen and the Body
Ania Loomba: Shakespeare and the Black Body
Why We Run: Daniel Lieberman and John Polk

Uptown Poetry Slamming

Snap, snap.   Fingers click and smoke rises above beret-lidded heads in a dimly lit space.  There are profound statements, drugs, Jack Kerouac…or so it goes in my Beat daydream.  Missing the opportunity to throw on a turtleneck and hop in the car with Sal Valentine, crisscrossing the country is one of my great misfortunes.  One might argue, however, that the descendants of the Beat Generation are active today.  New York may claim the original hipsters, but Chicago is home to the poetry slam.

The Green Mill Cocktail Lounge in Chicago’s Uptown neighborhood boasts a noteworthy history for many reasons.  Al Jolson and Sophie Tucker performed here; Al Capone hung out here; and in 1986 Marc Smith moved his newly created Uptown Poetry Slam here to its permanent home.

The Green Mill’s dazzling neon sign catches the eye among the marquees of Uptown’s other nearby venues.  Step inside, and one feels Capone might actually stick his head out from the Prohibition-era passageway purportedly located behind the bar.  Whether or not he would fit is debatable, but the Green Mill’s interior is a throwback of the best kind.  The elements are as follows: long wooden bar, ornate detailing, jazzy atmosphere, vintage light fixtures and over sized frames, and an imposing golden statue in the corner.  The sum of these parts elicits nostalgia both comfortable and cool.  The bartender sports a dress shirt and tie, leaning on the bar next to a vintage Schlitz lamp.  A live jazz band plays.  The lights are low and the space is neither fussy nor musty.

Three companions gather on a Sunday night and pay the $6 entry fee to attend the slam.  Two of us have never been to a poetry slam but already we’re impressed with the ambiance.  Bonus – one of them plans to read a piece for the first time.  At sign-up he is qualified as a “Virgin/Virgin” for his first time at the Green Mill as well as his first live reading.  Chicagoan Marc Smith created the poetry slam concept in 1985 as a weekly performance poetry event with an open mike portion, featured performances, and slam contest.  Contest judges are chosen from the audience, and tonight’s prize is a lofty $16.

Rather than Smith, our hosts are a troupe of Chicago poets, men and women in their late twenties.  They are hit or miss; sometimes startlingly eloquent, comical, and exciting to watch. At times they grasp too desperately and appear more foolish than funny.  My favorite pieces include one man’s ode to a blue-collar neighborhood greasy diner and the story of a woman’s Chicago wanderings while on mushrooms.

I am anxious for my friend performing, he is saved for last.  Admitting no apprehension, he struts capably to the stage, but I know better.  Audience members are encouraged to voice their discontent with finger snaps, stomps, and hissing.  Readers have access to support from the band and he instructs them to play something with a bluesy feel.  He starts slowly, repeating a mantra in each stanza and then picks up momentum.  Halfway through he takes command of the mike, more vocal, spelling out the repeating word in a syncopated rhythm flowing in tune with the baritone pluck of the cello.  By the end the audience has caught on, spelling out the word with him.  Unlike the kid who walked onstage with his laptop, my friend endures no hissing.

Perhaps I feel nothing will top his performance, but by hour three my poetic enthusiasm is waning.  It is Sunday night after all.  The slam competition involves audience scoring, intermittent readings by the hosts, tallying, and me weighing the pros and cons of another beer.  I am amused, however, to find the poetic element extends to the restrooms, and the scribbles inscribed are much more original than most stall artwork.

If you have any inclination toward incorporating Capone or Sinatra-esque vibes into your night you cannot pass up the Green Mill.  I will definitely stop to soak in the Prohibition-era flavor the next time I’m on my way to a concert nearby.  I appreciated my first slam experience and it was made most memorable by knowing one of the brave open mikers.  Check it out with some friends and force whoever draws the short straw to perform.  Oh but leave your beret at home, ya dig?

Green Mill Cocktail Lounge
4802 N Broadway St
Chicago, IL 60640-3667